Until the Quiet Comes, 2012
Nico here. Mr. Struggan, an avid pilot and horticulturist, unsurprisingly invited me to review Flying Lotus’ newest album, Until the Quiet Comes. Flying Lotus’ last album before this one, Cosmogramma (2010), was a cool album during a cool time.
Effective music elicits physical reactions. The 5th Dimension makes me dance. This album makes me fall asleep. No surprise, since the album’s concept relies heavily on dreams. This is not a negative criticism, I’m just saying this album is a dangerous selection for a solo road trip.
So, It’s a sleepy album. No less meaningful, though. “Sultan’s Request” has this deep repetitive riff/bass line that lulls the listener like a mantra. Not in a rocking way, but in a sleepy way, even to a point of monotony that begs attention. Interesting effect.
Furthermore, I disagree somewhat with critics who have said this album delves deeper into the jazz influences FlyLo began experimenting with on Cosmogramma. The jazz is there, but I hear a lot more hip hop rhythm on these tracks, albeit abstracted. Even thematically, this album is more hip hop-influenced. Think turntablism. Two of his collaborators, Thom Yorke and Erykah Badu, are good flavors for the songs’ drowsy soundscapes. FlyLo is an ascetic, not a baller. ”DMT Song” is more introspective trip than psychedelic roller coaster.
On Until the Quiet Comes, Flying Lotus continues to work his butt off and gets us listening in new directions. Thought-provoking music is important, but not always super-fun.
Mr. Struggan sends his High Regards.
Shout out to Plan 9 Music in Richmond, Va., where I bought this album. Helpful staff. Good selection. Be sure to make a visit if you’re ever in Carytown.